FILM. BROADCAST. CAMERA TECHNOLOGY.

Built to get
the shot.

Production experience. Technical thinking.
From specialist camera systems to film, television and the next generation of imaging.

Explore our work
Epic Studios camera crew filming a live studio production
ON THE STUDIO FLOOREpic Broadcast ↗
EXTREME VIDEO

We bring the production and the engineering together.

NORWICH / BEYOND

The picture.
The production.
The problem-solving.

Start with the project. Bring together the right people, facilities and technical approach.

Tell us what you need
01

Film & television production

Production development and practical support for screen projects. We combine filmmaking experience with a technical understanding of how a production gets made, from the initial brief to the demands of the shoot.

Discuss a production ↗
02

Broadcast & live production

Through Epic Broadcast: studio and location filming, production crews, cameras, lighting and support for live productions. Availability and the right crew and equipment package are agreed for each project. Current Epic services ↗

03

Studios, locations & facilities

Epic’s Norwich production facilities connect studio space with people and equipment. Contact the broadcast team to discuss the space, access and production requirements for your shoot. Explore the studios ↗

04

Specialist imaging & research

A background in bespoke cameras and difficult filming environments informs new work in camera-based perception, computer vision and visual navigation. Current research is developmental, not an off-the-shelf product.

Our technical direction ↓
A live audience and production lighting inside Epic Studios

THE EPIC CONNECTION

A home for
making things happen.

Extreme Video acquired Epic Studios in 2012. The former Anglia Television studios became the next chapter in a story already rooted in filmmaking and specialist camera technology. Our history ↗

Today, Epic Broadcast provides studio facilities, equipment and crews for film and television production. Current facilities ↗

Visit Epic Broadcast

Not every camera
stays on a tripod.

The story begins with Jonathan Thursby’s Eastern Video wedding work, then moves into television, bespoke camera engineering and new industries. The early dates below are Jonathan’s approximate recollections, not Extreme Video Limited’s incorporation date.

AROUND 1986

The Eastern Video beginning.

Jonathan started Eastern Video on leaving school, filming wedding videos as a sole trader. It was the beginning of the production career that would later lead to Extreme Video. The Eastern Video story ↗

AROUND 1992

From weddings to Top Gear.

Jonathan stopped filming weddings as he started work on Top Gear. His recollection places that transition around 1992, before the 1993–2004 motorsport minicam period described in the archive below.

SPECIALIST CAMERAS

Building the system, not just taking the shot.

Before compact action cameras, Jonathan describes designing complete systems around separate cameras and tape recorders: mounts, power, controls, microphones and interfaces. Rally cars, racing boats and ocean-going yachts each presented different problems of vibration, heat and water. The camera engineering · 24:00–27:27 ↗

BEYOND BROADCAST

The knowledge travelled further.

Jonathan describes applying that extreme-environment camera experience to oil-well inspection through EV Offshore. The separate business later expanded internationally and was acquired by Enersol in 2024; its history and technology are not presented here as current Extreme Video assets. The original account · 5:04–6:41 ↗ The full EV founder case study ↗

2012

A television ambition. A home at Epic.

Extreme Video acquired Epic Studios in 2012. Jonathan’s account describes a long-held ambition to own a television studio and develop a media hub in Norwich, with the family involved in filming, editing and running events. The early Epic years · 0:00–2:49 ↗

AN EVOLVING BUSINESS

Keeping the ambition. Adapting the model.

The television-led plan evolved as the market changed. In his 2025 interview, Jonathan describes developing live entertainment and corporate activity alongside production, putting the venue to work beyond individual show nights. How Epic evolved · 13:49–16:11 ↗

TODAY

The next imaging challenge.

Production remains part of the work. Alongside it, we are exploring how camera systems can interpret a scene as well as record it. Our research direction ↓

The brief was never
just “bring a camera”.

Cold, heat, vibration, salt water. Or simply a camera that needed to disappear into the background.

From our recovered original website, published credits and Jonathan Thursby’s account. Historical work, not current contracts or endorsements.

01BROADCAST / EXTREME ENVIRONMENTSTop Gear polar expeditionHeated HD rigs. One-push recording. No technical operator on the trip.
THE CHALLENGE

A system the location crew could operate and keep running in polar conditions.

Extreme Video designed and built HD rigs for both the vehicle and the husky sled, with weatherproofing, insulation and built-in heaters to protect the equipment and tape stock from freezing. Original case study ↗

Custom one-push recording controls made the rigs simple for the location crew or presenters to use, because production constraints meant a technical operator could not accompany the expedition. Original case study ↗

02MOTORSPORT / SYSTEM INTEGRATIONJCB DieselmaxOnboard recording, cooling and power integration for Bonneville.
THE CHALLENGE

Fit the recording system safely without compromising the vehicle.

The available recorder space was beside the exhaust, so Extreme Video developed a dedicated cooling system and worked with JCB’s engineers to integrate the video equipment into the car’s electrical system. Original case study ↗

The work extended from 3D models, installation drawings and UK testing to operating the system at the Bonneville Salt Flats, supplying run-review footage for the team and rushes for news coverage. Original case study ↗

03MOTORSPORT / ONBOARD CAMERASBritish Touring Car ChampionshipTailor-made camera systems, backed by engineers at the circuit.
Touring cars racing in wet conditions, from the original BTCC portfolio
BTCC
Original portfolio image

For BTCC and Granada Sport, Extreme Video developed in-car and onboard systems tailored to individual cars, including shock-resistant roll-cage mounts, exterior bullet cameras and integrated recording equipment. Original BTCC portfolio ↗

Engineers fitted and operated the systems around the race schedule, while permanent, user-friendly installations gave teams another option for recording in their own time. Original BTCC portfolio ↗

04DOCUMENTARY / DISCREET FILMINGThe Duke: A Portrait of Prince PhilipA bespoke in-car system for an interview around Sandringham.
Prince Philip in the original website’s The Duke project thumbnail
The Duke
Recovered website thumbnail

Working with Indigo Television on the ITV1 documentary, Extreme Video supplied the discreet HD audio and video system used to record Sir Trevor McDonald interviewing Prince Philip as they drove around the Sandringham estate. Original case study ↗

The archive records two months of design and planning, including route checks, health and safety checks and a design proof for approval before the system was fitted to the car. Original case study ↗

05MARINE / REMOTE OPERATIONBT Global ChallengeWaterproof yacht-mounted cameras designed around the crew.
Sailors at a yacht’s helm in rough seas, from the recovered marine-camera archive
Marine camera archive
Original website image

Extreme Video designed waterproof three-chip cameras for external yacht mounting, with specially engineered mounts offering manually controlled pan, tilt, zoom and horizon levelling for the BT Global Challenge. Original case study ↗

A combined monitor, recorder and control unit was built to make operation straightforward for the boats’ crews, while the exposed cameras were designed for extended use in severe weather. Original case study ↗

1993–2004

The minicam years.

Our minicam work spanned the World Rally Championship, British Rally Championship, British Touring Car Championship and offshore powerboat racing. Dates and scope are from Jonathan Thursby’s account of the company’s history. Explore the motorsport story ↓

061993–2004 / MOTORSPORT & MARINERally stages, race circuits, open water.Minicams for WRC, British rallying, BTCC and offshore powerboat racing.
THE EARLY YEARS

Camera systems built around the vehicle, the crew and the demands of the event.

Between 1993 and 2004, we handled the minicam work across World Rally Championship, British Rally Championship, British Touring Car Championship and offshore powerboat racing. This period and breadth of work are confirmed by Jonathan Thursby’s account of the EV history.

A July 2002 industry article describes Eastern Video’s years of rally-camera experience and quotes Jonathan on the ambition to run more cameras in each car, subject to size and weight constraints. Contemporary WRC coverage ↗

The surviving EV history also records British Rally Championship and Vauxhall Rally work, WRC and Formula 1 contracts, and Class 1 powerboats. EV’s historical account ↗

Our 2004 Puddlecam release records extensive WRC use of the resin-housed miniature camera for ground-level pictures beneath the action. Original Puddlecam release ↗

07TOP GEAR / BOTSWANAKeeping the cameras and the cars running.Jonathan’s recollections of the shoot, and getting Oliver back to camp.
HANDS-ON ENGINEERING

A production that drew on more than camera skills.

Jonathan remembers the Botswana production as demanding his whole skill set. As well as protecting cameras against heat and dust, he and the team helped keep the vehicles going. His account of the shoot · 4:09–5:04 ↗

After Richard Hammond’s car, Oliver, went through the river sequence, Jonathan recalls working with the team on the engine, distributor and fuel lines, getting it running again and driving it back to camp. It is a practical example of the problem-solving behind the pictures, told in his own interview account. The Oliver story · 8:59–10:52 ↗

Jonathan’s selected production credits are listed separately below. Read his wider founder history ↗

SELECTED SCREEN CREDITS

Beyond the
polar expedition.

Jonathan Thursby’s listed minicam credits. A selection from IMDb, not a complete filmography.

TOP GEAR / 2007–2009

Four specials. Four very different shoots.

Polar Special (2007): minicams, credited as “Sir Ranulph Thursby”. IMDb credit ↗

Botswana Special (2007): mini camera operator, credited as “Archbishop Desmond Thursby”. IMDb credit ↗

Vietnam Special (2008): mini camera operator, credited as “Francis Ford Thursby”. IMDb credit ↗

Bolivia Special (2009): mini camera operator. IMDb credit ↗

CLARKSON FILMS / 2010–2011

Mini-cams: Extreme Video.

Jonathan is listed with that credit on Clarkson: The Italian Job (2010). IMDb credit ↗

The same credit appears on Clarkson: Powered Up (2011). These are separate Clarkson productions, not Top Gear episodes. IMDb credit ↗

TOP GEAR / PRESENTER COMMUNICATIONS

Three presenters. One conversation.

Extreme Video also designed a hands-free three-way radio system so all three presenters could talk and listen simultaneously. The original case study records its use on the Alfa Romeo challenge. Original engineering case study ↗

FROM THE CAMERA WORKSHOP

Built around
the shot.

Two examples from the EV Special Facilities archive. Historical designs, not a current product catalogue.

Original Puddlecam in its compact protective housing
PUDDLECAM / 2004

Down in the action.

A miniature camera moulded into a protective resin housing, developed for hard-to-reach ground-level shots and used in World Rally Championship coverage and Anglia Television’s Demolition Day. Original launch release ↗

STIKCAM / 2004

Movement without the bulk.

A boom-mounted minicam with mechanically linked pan and tilt, used for moving close-ups of the Lotus Elise in the award-winning Change the Rules production. Original launch release ↗

The original web images are shown at small archival sizes. No reconstructed project footage or current client endorsements are implied.

Eastern Video’s production archive

04 / WHAT’S NEXT

From recording a scene
to understanding it.

Our current technical direction builds on the same practical curiosity: what else can a camera system do?

We are developing research around computer vision, camera-based localisation and visual navigation. The focus is on understanding what is technically possible, testing ideas and building evidence.

Research and development. Not a released product.

Discuss a technical collaboration

LET’S MAKE A START

What are you
working on?

A film, a production challenge, a camera problem or a new technical idea. Start a conversation with us.

jonathan@easternvideo.co.uk
Studio, crew & equipment enquiriesbroadcast@epic-tv.com ↗On LinkedInJonathan Thursby ↗Epic Broadcast ↗

Extreme Video Limited · Registered in England and Wales · Company no. 03677539.
Registered office: 112–114 Magdalen Street, Norwich, Norfolk, NR3 1JD.